Showing posts with label Michael Ball. Show all posts
Showing posts with label Michael Ball. Show all posts

Sunday, June 3, 2012

'Sweeney Todd' - My favourite Sondheim

I am sure lots of people with an interest in musical theatre and otherwise have seen the Tim Burton film, starring Johnny Depp and Helena Bonham Carter. The film is based on this Stephen Sondheim musical which was first performed on Broadway in 1979. 


Sweeney Todd at Adelphi Theatre
Performance: Friday 18th May at 19:30
Seat: Rear left Dress Circle, £30
Cast included: Michael Ball (Sweeney Todd), Imelda Staunton (Mrs Lovett), John Bowe (Judge Turpin), Peter Polycarpou (Beadle Bamford), Robert Burt (Pirelli), James McConville (Tobias), Lucy May Barker (Johanna), Luke Brady (Anthony), Gillian Kirkpatrick (Beggar Woman)


This always reminds me of a film poster.
This production transferred to the West End after a successful run at the Chichester Festival Theatre. Its popularity does not surprise me. After all, the film has made Sweeney Todd the musical more popular, and it stars Michael Ball and Imelda Staunton. I would happily have paid fora ticket just to see the two of them perform. Michael Ball has done a lengthy career both as a stage actor and a solo singer having played, amongst others, Marius in the original London cast of Les Misérables, Alex in Aspects of Love in both West End and on Broadway as well as more recently Edna in Hairspray. Imelda Staunton is perhaps nowadays best known for her portrayal of Dolores Umbridge in the Harry Potter films but she has also participated in a large number of stage productions.


Photo: Jonathan Hordle/Rex Features
Staunton pretty much stole the show: she acted the part of Mrs Lovett brilliantly and her comic timing was excellent. I had had a difficult time imagining Professor Umbridge as Mrs Lovett to be honest but as it turned out, Staunton's portrayal of Mrs Lovett was nothing like Umbridge. You could not tell it was the same person behind the two characters! She also sang well: her voice was rough and focused on acting and character rather than attempting to make it sound pretty.
Michael Ball did a great job of Sweeney. He also had a 'Sweeney voice' - his singing as the character sounded very different to the sound I have learnt to associate him with and I was very much in agreement with the choice he had made there as it suited the character.
The third special mention goes to Gillian Kirkpatrick for her portrayal of the Beggar Woman. In comparison to the film, the part of the Beggar Woman had been given much more weight in the stage version throughout.


Having just made a comparison between this stage production and the film (because you do that automatically if the film is the reason behind being acquainted with Sweeney Todd in the first place), I feel obliged to point out that they are completely different from each other and that one probably would not get very far if they went to the theatre expecting to see a replica of the film. The characterisations are totally different and obviously that famous artistic touch Tim Burton tends to add to all his work is naturally not there. You will get much more out of it if you go and treat the two as separate things.


Photo: Catherine Ashmore
Visually Sweeney Todd was amazing. The overall darkness and gloom had been brilliantly captured. I did not expect there to be as much fake blood as there was as well. I thought Todd would be cutting the throats open out of view but with a bit of blood you could well do it in front of the audience. There was even a chair which tipped the body down the passageway in the floor. All this was very believable! I should not even need to comment on the music - it is magnificently powerful. This one is now definitely my favourite Sondheim musical.


Sweeney Todd is only doing a limited run, until 22nd September 2012 so get your tickets booked!
Official website: http://sweeneytoddwestend.com/